Greg McLaren
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Transit lounge On the last day I leave work hours early and bus in to meet you by the quay, you nearly drunk an hour before you reach the ferry Past the terror-proof windows everything is busy-ness, flight preparations are tinted a pale yellow that in some light might seem orange I wander through the fluorescent mall of the airport, wait thirty minutes for a train and dawdle in the bookshop underground until a friend rings my mobile At cruising altitude you're sheeting across the south east of the continent just short of the speed of sound My bus slopes back up Parramatta Road Your mother the commercial artist greets you past the gates with something between coldness and expectation, and with news of her latest exploits on e-bay Somewhere, I'm not sure, I've kept the train ticket, that emblem of love, its coded magnetic strip past expiry, peeling from the backing like a mirror Retail therapy for R.B. With a face like a Castlecrag property deed, and the spruiker voice you got from your brother, you interrogate clients and staff alike: Do you like the new fit-out?, and What do you think of the chandelier? As if you had a North Shore mortgage on taste, judgement or – get this – delicate tact. After the half- a-mill reno: the cut-back in casuals' hours. After the million dollar fit-out in Melbourne: the nervous house-sale, the knuckle-size mention in the weekend rag, and, always, the lack even of an ironic self-awareness. The mission statement is riddled with typos, and reads like a hippy business plan. You want to target "the high-end literary market, or even just general readers", and to hose them with "Paris Café Jazz", that iconic genre. You hire doctors and pay them peanuts: we fart in your car. The in-store music? A burnt CD you paid money for, and could never sell: Roberta Flack, singing "The first time ever I saw your face", followed by James Reyne, "Fall of Rome".
Wangi Seen from the car, a blurred barcode of trees against the background of the lake The lake is a fuzz of smoke. The heavy clang of cicadas engulfs us, crashing through the bush and cramming the thin black road with noise. The car's metal body keeps out nothing; heat and noise seep and drip like sweat on cracked vinyl. Our parents are two heads bobbing, neither wanting this exchange of one place for another. They become bored children again, visiting her mother. The grey-green racket rolls, sea-sick in waves as we slide up and down hills. I think for a moment I ought to be in it.
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